To add an augmented chord you write "+".
E.g. C+
See the Examples Chord Types (PDF).
To add an altered chord you write "alt".
E.g. A7alt
See the Examples Chord Types (PDF).
To add an diminished chord you write "dim" or "dim7".
E.g. Adim7 Bbdim
See the Examples Chord Types (PDF).
You can choose your preferred rendering style „dim“ or „circle symbol“ in the user settings.
To add an halfdiminished chord you write "m7b5".
E.g. Am7b5
See the Examples Chord Types (PDF).
To add a major chord you use capital letters.
E.g. C G
See the Examples Chord Types (PDF).
To note a major flat five chord you just add b5 if you got a seventh chord.
Otherwise you have to enclose the b5 with parentheses.
That is required to differentiate e.g. a B-Flat Powerchord Bb5 from a B-Major flat five chord B(b5).
E.g. B(b5) Ab7b5 Bbj7b5
See the Examples Chord Types (PDF).
To note a major seven #11 chord you just add #11 if you got a seventh chord (G7#11).
Otherwise you have to enclose the #11 with parentheses.
That is required to differentiate e.g. a G-Sharp eleven chord G# 11 from a G-Major sharp eleven chord G (#11).
E.g. G(#11) G7#11 Gadd#11
See the Examples Chord Types (PDF).
To add a minor chord you write "Am","Ami", "A-" or just "a".
E.g. Am A- Ami a
See the Examples Chord Types (PDF).
To note a power chord you add a "5".
E.g. A5 E5
See the Examples Chord Types (PDF).
To add a sus-chord you write "sus2","sus4" or just "sus".
E.g. Asus4 Dsus2 G7sus4 Bsus
Other shorthand options are A4 D2.
See the Examples Chord Types (PDF).
To add a slash chord you just write a regular chord followed be a slash and the base note as uppercase letter.
E.G. C/G or D/F#
If you want to use the same chord with a moving bassline the blank chord (e.g. */G) comes in handy.
See the slash chords in Instant Karma! (John Lennon).
Blank chords are not printed at all.
But there are some use cases.
If you want to use the same chord with a moving bassline the blank chord (e.g. */G) comes in handy.
See the slash chords in Instant Karma! (John Lennon).
To add an empty bar.
To place a chord in the second half of a split bar.
No chord marker to indicate that no accompanying chords should be played at all.
To use it, just write NC or N.C. instead of a regular chord.
E.g. see extra bar at the end of the bridge in Streets Of Philadelphia (Bruce Springsteen) .
To use rests, just write r1 to add a full bar rest or r2 to add a half bar rest instead of a regular chord.
To add a quarter note rest write r4.
See the Example Rests (PDF).