To add an augmented chord you write "+".
E.g. C+
See the Examples Chord Types.
To add an altered chord you write "alt".
E.g. A7alt
See the Examples Chord Types.
To add an diminished chord you write "dim" or "dim7".
E.g. Adim7 Bbdim
See the Examples Chord Types.
You can choose your preferred rendering style „dim“ or „circle symbol“ in the user settings.
To add an halfdiminished chord you write "m7b5".
E.g. Am7b5
See the Examples Chord Types.
To add a major chord you use capital letters.
E.g. C G
See the Examples Chord Types.
To add a major nth chord you have several ways of writing it.
E.g. Cj7 Cmaj7 CM7 Bbj6 Ebmaj9 GM13
See the Examples Chord Types.
You can set your preferred rendering style in the settings.
To note a major flat five chord you just add b5 if you got a seventh chord.
Otherwise you have to enclose the b5 with parentheses.
That is required to differentiate e.g. a B-Flat Powerchord Bb5 from a B-Major flat five chord B(b5).
E.g. B(b5) Ab7b5 Bbj7b5
See the Examples Chord Types.
To note a major seven #11 chord you just add #11 if you got a seventh chord (G7#11).
Otherwise you have to enclose the #11 with parentheses.
That is required to differentiate e.g. a G-Sharp eleven chord G# 11 from a G-Major sharp eleven chord G (#11).
E.g. G(#11) G7#11 Gadd#11
See the Examples Chord Types.
To add a minor chord you write "Am","Ami", "Amin", "A-" or just "a".
E.g. Am A- Ami Amin a
See the Minor Chords Example.
And the Chord Types Example.
To note a minor flat six chord you just add b6.
If you use a lowercase letter for the minor chord you have to enclose the b(b6) with parentheses.
That is required to differentiate e.g. a B flat minor six chord Bbm6 from a B minor flat six chord Bm(b6).
E.g. b(b6) Bmb6 B-b6
See the Examples Chord Types.
To note a power chord you add a "5".
E.g. A5 E5
See the Examples Chord Types.
To add a sus-chord you write "sus2","sus4" or just "sus".
E.g. Asus4 Dsus2 G7sus4 Bsus
Other shorthand options are A4 D2.
See the Examples Chord Types.
To add a slash chord you just write a regular chord followed be a slash and the base note as uppercase letter.
E.G. C/G or D/F#
If you want to use the same chord with a moving bassline the blank chord (e.g. */G) comes in handy.
See the slash chords in Instant Karma! (John Lennon).
Blank chords are not printed at all.
But there are some use cases.
If you want to use the same chord with a moving bassline the blank chord (e.g. */G) comes in handy.
See the slash chords in Instant Karma! (John Lennon).
Or to place a chord in the second half of a split bar.
You can also use this to add an empty bar, like in this example.
No chord marker to indicate that no accompanying chords should be played at all.
To use it, just write NC or N.C. instead of a regular chord.
E.g. see extra bar at the end of the bridge in Streets Of Philadelphia (Bruce Springsteen) .
You can add short annotations to a chord.
Just add any text in quotes after the chord.
E7 "some annotation"
Attention, this is NOT meant to add lyrics.
See the Example Annotations.